Versatile Card Magic

Versatile Card Magic

1983 Hardcover

Other Editions: 2002 Hardcover

Contents

# Title
I

Introduction

3

Preface

7

Part One: Versatile Spread Controls

12

Spread control sleight: selection culled under the bevel spread to the bottom while an indifferent card remains outjogged as a decoy. Foundation for all other techniques in the book.

19

Two face-up matching cards placed on top and bottom of a deck. Spectator touches a card; a riffle pass causes the face-up cards to vanish and reappear in the middle surrounding the selection.

21

A matching pair is placed face-up on top and bottom; selection left outjogged. Deck thrown to other hand, leaving the face-up pair with the selection sandwiched face-down between them.

23

Two face-up cards are tossed into a dribbling deck and catch a selected card between them, either sailing through to the spectator or emerging buried in the spread.

27

Clarified handling for a card through handkerchief effect. Spectator's card is left protruding from the deck. A silk scarf is draped over the deck, then gently shaken. The selected card visibly penetrates through the scarf and emerges at the bottom.

31

Spread control without any outjogged card; selection culled to the bottom as the deck is spread openly. Used when the Outjog Control has already been seen recently.

32

A secretly reversed card finds the spectator's selection by counting its own face value down from a central position in the deck.

32

Spectator cuts to a card; that card is not their selection. The face value of the card they cut to counts down to reveal the selected card.

33

Fast, informal spread control suitable for seated or standing performance. No outjogged card; selection rides under the spread as hands come together. Ideal for multiple selections.

35

Two cards on either side of a touched card are called "informers." Deck riffled; the informers reverse themselves and are found sandwiching the selection face-up in the middle.

37

Extension of the Outjog Control: selection placed at a chosen depth in the deck during spreading, then brought to the top through a series of cuts from the table or in the hands.

39

Spectator remembers a card in the upper half and reverses a number card in the lower half. Both halves are shuffled independently and combined. The selection is found exactly as many cards below the face-up card as its number value.

42

Deck shuffled face-up into face-down. Through cuts and a story about improving odds, all cards right themselves — except the selection, which remains the only face-up card.

47

Impromptu, table-free version of Odds on Triumph. Deck mixed face-up and face-down using a one-handed fan; snapping the fingers restores all cards except the selection.

50

Part Two: Varieties

51

Four Aces produced one at a time with escalating theatrical flair, themed around a Japanese Benihana restaurant chef. Three different revelations — pivoting, snapping, and simultaneous production.

58

Three-phase swing cut that appears to be a triple cut but is actually a double cut leaving the deck in its original order. Very deceptive; spectators cannot distinguish the visual from reality.

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Record created June 11th 2025

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